Friday, December 17, 2010
Merry X-Mas
I wish you a merry x-mas
(and this includes Lydie
AND Judge Rosenberg)
Hurrah!
Sincerely Yours,
Michael Huck
Thursday, October 14, 2010
What´s wrong with Denier and Animals???!
In her book, I think it´s entiteld Me Jane, you Cheetah
Lydie tells us that she is attacked several times by animals while shooting scenes for the tv series "Tarzan". Lydie writes a Giraffe kicked her(!), an ape did bite her (!!) and even a baby elephant (!!!) managed to hurt her (!!!!).
I remember another incident while shooting with Lydie A Bouquet for a Kill
Lydie told us when she left Roswitha´s apartment in Berlin, a bird -
- YEA - A BIRD !!!!! did attack her !!!!!!!!!
Flying down from the sky, singling out Lydie of all people here down on earth and
A T T A C K E D Lydie !!!!!!
I really wonder why animals are so wild about attacking Lydie, maybe they know or feel or see something we normal human beings simply do not realize when we first meet her, charming and beautiful as she is.
Ì´ve heard animals also feel a Tsunami and other catastrophes hours before they actually happen. I think that´s really kind of weird...but who cares?
Sincerely Yours,
Michael Huck
Lydie tells us that she is attacked several times by animals while shooting scenes for the tv series "Tarzan". Lydie writes a Giraffe kicked her(!), an ape did bite her (!!) and even a baby elephant (!!!) managed to hurt her (!!!!).
I remember another incident while shooting with Lydie A Bouquet for a Kill
Lydie told us when she left Roswitha´s apartment in Berlin, a bird -
- YEA - A BIRD !!!!! did attack her !!!!!!!!!
Flying down from the sky, singling out Lydie of all people here down on earth and
A T T A C K E D Lydie !!!!!!
I really wonder why animals are so wild about attacking Lydie, maybe they know or feel or see something we normal human beings simply do not realize when we first meet her, charming and beautiful as she is.
Ì´ve heard animals also feel a Tsunami and other catastrophes hours before they actually happen. I think that´s really kind of weird...but who cares?
Sincerely Yours,
Michael Huck
Sunday, October 10, 2010
Jane, Jane, Jane
I just read an interview with Lydie. She talked about her book
Me Jane...not you
She told in the interview things she already told me some years ago,
how she came to Hollywood and her dreams of going Hollywood when she
was a child and the movies she loved with Johnny Weismueller and Hedy
Lamarr and Ava Gardner and Elizabeth Taylor.
In my eyes Lydie always as an actress was as great and beautiful, like
all those great Hollywood actresses of the 30s, 40s and 50s.
I was thrilled to work with Lydie and I really feel very sad, that as
a person she acted so weird and destroyed our partnership.
Since years she tried to sell her Oceane story which is really a nice
script. I am absolutely convinced if Lydie had not ruined Bouquet we
already could have shot 2 or 3 new projects including Oceane.
I am not happy to fight Lydie whom I love and adore as an actress but
actually I have no choice as long as she does not return my tapes and
as long as she tells around all those fairy tales about being stalked.
Sincerely,
Michael
Me Jane...not you
She told in the interview things she already told me some years ago,
how she came to Hollywood and her dreams of going Hollywood when she
was a child and the movies she loved with Johnny Weismueller and Hedy
Lamarr and Ava Gardner and Elizabeth Taylor.
In my eyes Lydie always as an actress was as great and beautiful, like
all those great Hollywood actresses of the 30s, 40s and 50s.
I was thrilled to work with Lydie and I really feel very sad, that as
a person she acted so weird and destroyed our partnership.
Since years she tried to sell her Oceane story which is really a nice
script. I am absolutely convinced if Lydie had not ruined Bouquet we
already could have shot 2 or 3 new projects including Oceane.
I am not happy to fight Lydie whom I love and adore as an actress but
actually I have no choice as long as she does not return my tapes and
as long as she tells around all those fairy tales about being stalked.
Sincerely,
Michael
Sunday, September 5, 2010
The Stalker Docu
You asked for it, Denier!
Lydie Denier went to Santa Monica Court and accused me to have stalked her and to have threatend to kill her. She told Santa Monica Court that she did NEVER work with me and that I am not a producer she worked with but a crazy fan who is madly in love with her.
So everyone who read the crazy stories Lydie told about me can watch what really happened, I edited a docu, Stalking Lydie. This docu shows Lydie did not tell the truth. I still wonder why she did this as she KNEW I have all those tapes showing Lydie and me working together.
Trailers you can watch on www.myvideo.de
A New Point of View 2010
A Bouquet for a Kill
I haven´t watched A Bouquet for a Kill
for a while, actually since 2007 when I edited it the first time. Some days ago I started to re-edit the short version. I changed some of the musical score but only made minor changes as far as SFX and editing is concerned.
With 3 yeas gone by I am able now to watch A Bouquet for a Kill in a different way and actually I still really like it.
It´s really sad, Lydie run away without finishing the long version. As director-producer Lydie and I were able to set up something special. In the short time we worked together we did achieve so much and then she destroyed everything by running away and trying to push me out of my own movie. I do not understand what she wanted and why she did all this stupid things including accusing me to have stalked her.
And I think she doesn´t know herself.
What she did was so unprofessional. And it really hurts, because she IS a good actress and she COULD have been a good director.
All what´s left now for me is to try to get my tapes back so I can somehow edit the long version and publish PR releases concerning her "Stalker" stories.
The other road we could have taken is: Finishing A Bouquet for a Kill and make new projects. It was Lydie´s decision, not mine.
I haven´t watched A Bouquet for a Kill
for a while, actually since 2007 when I edited it the first time. Some days ago I started to re-edit the short version. I changed some of the musical score but only made minor changes as far as SFX and editing is concerned.
With 3 yeas gone by I am able now to watch A Bouquet for a Kill in a different way and actually I still really like it.
It´s really sad, Lydie run away without finishing the long version. As director-producer Lydie and I were able to set up something special. In the short time we worked together we did achieve so much and then she destroyed everything by running away and trying to push me out of my own movie. I do not understand what she wanted and why she did all this stupid things including accusing me to have stalked her.
And I think she doesn´t know herself.
What she did was so unprofessional. And it really hurts, because she IS a good actress and she COULD have been a good director.
All what´s left now for me is to try to get my tapes back so I can somehow edit the long version and publish PR releases concerning her "Stalker" stories.
The other road we could have taken is: Finishing A Bouquet for a Kill and make new projects. It was Lydie´s decision, not mine.
Labels:
A Bouquet for a Kill,
Lydie Denier,
Michael Huck
Sunday, May 23, 2010
A Bouquet for a Kill (2007)
A Bouquet for a Kill (2007)
A Bouquet for a Kill (2007)
Sarah (Lydie Denier) has an affair with a married man but really does not care that she is destroying his marriage. Her lover is wellknown and very respected doctor Tanner. When his wife learns that her husband has an affair she fears he will leave her. The jealous Mrs Tanner stalks Sarah and takes her prisoner in her own apartment. She ties Sarah up, gags her and threatens to torture and kill her.
While Mrs Tanner prepares killing Sarah, Maryanne, a friend of Sarah´s, arrives and is stabbed by Mrs Tanner with a knife. While Mrs Tanner is busy taking care of Maryanne´s body and preparing to kill Sarah, Sarah desperately tries to get rid of her bonds and to escape. But Mrs Tanner awakes and is after Sarah with a long, long and sharp knife...
The story is based on Unhappy End! Du sollst nicht Ehebrechen written by Jean Bork and Michael Huck. MIchael Huck and Lydie Denier re-wrote the scripts with some new twists and a new very different ending, Lydie Denier came up with.
Jean Bork who did also star in the original German version gueststars.
Friday, March 26, 2010
Why We Fight
I have no idea why Lydie fights me and I doubt that she knows herself. I fight her only because of the tapes. That´s all I want. Lydie and I did agree to shoot a movie together, we shot it, I want to edit it and I want to release and distribute it, just the way Lydie and I had agreed on.
There are discussions about supporting Lydie even if she IS evil if you are her fan. I can understand that. Fans are loyal to their idols and there is more evil "talent" out there that you can think of, so why not. I also have no problems to admit that Lydie is a terrific actress. I did not know Perfect Alibi and bought it after our fight already was on. Inspite I watched it and admit she is wonderful (and in the movie she very much behaves the way she did on our set). The other question is if you support your idol if she runs amok and starts telling lies to achieve what she wants and if she asks you to join her in running amok.
Several persons on our set had to make such a decisions when Lydie started her take-over attempt. Katja, Jeannie and Vonny did not support her.
Jörg stayed as a DP at my request but step by step was replaced by Roswitha´s husband. The editor Philipp had to make a difficult decision as he was a friend of Roswitha`s but when he realized what was going on he did refuse to give Lydie the edited material. In fact this stopped her, she could not go to Cannes to show the trailer. Other members of crew and cast seriously thought of supporting Lydie as there might have been the chance that she takes her to a big US production company, something few people in the business are offered; some others suported me.
Roswitha whom I knew since many years and whom I considered a friend supported Lydie in every way, taking a lawyer and even claiming this was A LYDIE DENIER PRODUCTION and that I had nothing to do with it and that I was not even on the set.
And Michael Worth, Lydie´s former Acapulco H.E.A.T. co-star also had to make a decision. He is Lydie´s friend for a long time. He is himself a producer and after shooting I and he emailed us many times. He never really said so, but I thought he does not approve what Lydie did, and I think somehow this did affect their relationship.
However he had to make another decision. When Lydie went to Santa Monica Court I was in Germany and had no time to fly to LA, so I asked Michael Worth who lives in California, to go to Santa Monica Court to the Hearing and tell the judge Lydie does not tell the truth. He refused. He knew Lydie did lie, he knew I am NOT a stalker. We were together on the set and he knew I did produce A Bouquet for a Kill and he could have stopped Lydie but he didn´t. He probably did not approve what Lydie did but as her friend he did not want to do something against her.
Looking back I think this was wrong. Before Lydie went to Santa Monica Court and went public uploading on her website this TMZ article saying she is stalked by a crazy fan, this was a fight between Lydie and me behind the scenes. It was not public and almost noone knew that Lydie tried to take over Bouquet.
After Lydie told SMC and the press that I am a stalker, I had no other choice to fight back. As everything that is uploaded in the www is there everytime anywhere I had to inform everyone everywhere Lydie did not tell the truth. And I do this very well. I wrote to newspapers, websites, and did upload almost every day statements and articles to make sure everyone realizes that what Lydie tells about me is not true. I am lucky to have photos, witnesses and videotapes showing me and Lydie together on the set of A Bouquet for a Kill. If an woman accuses someone to have stalked her it is her word against the other. In my case I had enough evidence Lydie is not telling the truth I only had to upload it. Result: Lydie wanted to ruin my reputation but she is about to ruin her own reputation.
If Michael Worth had gone to SMC he would have done Lydie even a favor, because what happened now is really evil. This was a little low budget movie and Lydie now risks a lot, not only her reputation. I have already mailed Santa Monica Court and LASD evidence and the dvds with A Bouquet for a Kill / Outtakes and all I have to do now is to fly to LA, and sue Lydie. If I do so, SMC will have officially evidence that Denier did show SMC F A L S I F I E D evidence and that she did lie to SMC. If she does not notify SMC what really happened BEFORE I fly to LA and sue her she will be in real trouble. It´s illegal what she did and even more, it´s so stupid. And I wished she had some real friends who had stopped her and just told her to give me my tapes.
There are two ways you can fight. You can fight in an honest way telling always the truth. And I can tell you THIS will be a long, long fight. Or you can tell lies and fight unfair. This can lead to a shortime success but in the end, it´s not working.
Lydie decided to fight unfair. I do not know what she made think that this is going to work. Maybe she is evil, maybe she acts just silly, I do not know. Maybe she had earlier success fighting this way.
The other way is to fight fair and just tell the truth.
Anyway there is not much left what she can do now. She can try to cover her old fairy tales with new fairy tells ang get herself more and more and more in trouble or she ends this stupid fight and returns my tapes. I absolutely detest what she did but I will keep my word. If she returns my tapes so I can edit a producer´s cut she will get digital copy of every tape I have from Bouquet and she can edit her director´s cut just the way she wants to do it and we will sell both versions. I do not see the point why we should fight over this. We fight for three years now. I am not happy. I need my time and money for new projects and I think Lydie should also feel better if this fight ends so we all can concentrate on new projects. It´s up to Lydie. It´s her decision, not mine. I fight for my movie no matter how long it take.
Sincerely,
Michael Huck
There are discussions about supporting Lydie even if she IS evil if you are her fan. I can understand that. Fans are loyal to their idols and there is more evil "talent" out there that you can think of, so why not. I also have no problems to admit that Lydie is a terrific actress. I did not know Perfect Alibi and bought it after our fight already was on. Inspite I watched it and admit she is wonderful (and in the movie she very much behaves the way she did on our set). The other question is if you support your idol if she runs amok and starts telling lies to achieve what she wants and if she asks you to join her in running amok.
Several persons on our set had to make such a decisions when Lydie started her take-over attempt. Katja, Jeannie and Vonny did not support her.
Jörg stayed as a DP at my request but step by step was replaced by Roswitha´s husband. The editor Philipp had to make a difficult decision as he was a friend of Roswitha`s but when he realized what was going on he did refuse to give Lydie the edited material. In fact this stopped her, she could not go to Cannes to show the trailer. Other members of crew and cast seriously thought of supporting Lydie as there might have been the chance that she takes her to a big US production company, something few people in the business are offered; some others suported me.
Roswitha whom I knew since many years and whom I considered a friend supported Lydie in every way, taking a lawyer and even claiming this was A LYDIE DENIER PRODUCTION and that I had nothing to do with it and that I was not even on the set.
And Michael Worth, Lydie´s former Acapulco H.E.A.T. co-star also had to make a decision. He is Lydie´s friend for a long time. He is himself a producer and after shooting I and he emailed us many times. He never really said so, but I thought he does not approve what Lydie did, and I think somehow this did affect their relationship.
However he had to make another decision. When Lydie went to Santa Monica Court I was in Germany and had no time to fly to LA, so I asked Michael Worth who lives in California, to go to Santa Monica Court to the Hearing and tell the judge Lydie does not tell the truth. He refused. He knew Lydie did lie, he knew I am NOT a stalker. We were together on the set and he knew I did produce A Bouquet for a Kill and he could have stopped Lydie but he didn´t. He probably did not approve what Lydie did but as her friend he did not want to do something against her.
Looking back I think this was wrong. Before Lydie went to Santa Monica Court and went public uploading on her website this TMZ article saying she is stalked by a crazy fan, this was a fight between Lydie and me behind the scenes. It was not public and almost noone knew that Lydie tried to take over Bouquet.
After Lydie told SMC and the press that I am a stalker, I had no other choice to fight back. As everything that is uploaded in the www is there everytime anywhere I had to inform everyone everywhere Lydie did not tell the truth. And I do this very well. I wrote to newspapers, websites, and did upload almost every day statements and articles to make sure everyone realizes that what Lydie tells about me is not true. I am lucky to have photos, witnesses and videotapes showing me and Lydie together on the set of A Bouquet for a Kill. If an woman accuses someone to have stalked her it is her word against the other. In my case I had enough evidence Lydie is not telling the truth I only had to upload it. Result: Lydie wanted to ruin my reputation but she is about to ruin her own reputation.
If Michael Worth had gone to SMC he would have done Lydie even a favor, because what happened now is really evil. This was a little low budget movie and Lydie now risks a lot, not only her reputation. I have already mailed Santa Monica Court and LASD evidence and the dvds with A Bouquet for a Kill / Outtakes and all I have to do now is to fly to LA, and sue Lydie. If I do so, SMC will have officially evidence that Denier did show SMC F A L S I F I E D evidence and that she did lie to SMC. If she does not notify SMC what really happened BEFORE I fly to LA and sue her she will be in real trouble. It´s illegal what she did and even more, it´s so stupid. And I wished she had some real friends who had stopped her and just told her to give me my tapes.
There are two ways you can fight. You can fight in an honest way telling always the truth. And I can tell you THIS will be a long, long fight. Or you can tell lies and fight unfair. This can lead to a shortime success but in the end, it´s not working.
Lydie decided to fight unfair. I do not know what she made think that this is going to work. Maybe she is evil, maybe she acts just silly, I do not know. Maybe she had earlier success fighting this way.
The other way is to fight fair and just tell the truth.
Anyway there is not much left what she can do now. She can try to cover her old fairy tales with new fairy tells ang get herself more and more and more in trouble or she ends this stupid fight and returns my tapes. I absolutely detest what she did but I will keep my word. If she returns my tapes so I can edit a producer´s cut she will get digital copy of every tape I have from Bouquet and she can edit her director´s cut just the way she wants to do it and we will sell both versions. I do not see the point why we should fight over this. We fight for three years now. I am not happy. I need my time and money for new projects and I think Lydie should also feel better if this fight ends so we all can concentrate on new projects. It´s up to Lydie. It´s her decision, not mine. I fight for my movie no matter how long it take.
Sincerely,
Michael Huck
Tuesday, March 23, 2010
The Missing Links
Lydie as a director: yes, she CAN direct. She has Hollywood experience and she knows how to direct cast and crew. I like the way the scenes look she directed and she knows how to do it. The problem with Lydie and shooting with her A Bouquet for a Kill was she used more energy in fighting me as a producer than in shooting the movie. As a director she acted U N P R O F E S S I O N A L running away from the set, breaking her contract with me, leaving cast and crew with an unfinished movie and not returning some of the tapes to me so we cannot edit the long version.
Of what I have I edited the 30 minute version now, but there are many, many scenes, some of the best, Lydie did not return to me cheating me, cheating the cast and crew and cheating also her fans who did not see her in a new movie or big part for quiete some years.
Among the scenes we shot but I could not use so far are:
the scenes we shot with Lydie, Michael Worth (her former Acapulco H.E.A.T. co-star, and two German actresses) in the CASA Italiana, a nice Italian restaurant in Berlin where we also shot some scenes for The Moonlight Orchids recently. I did get us this loaction and the owners can confirm that I was on location during shooting. (German actress Roswitha Schreiner´s lawyer claims I had not been present during shooting long version). DP Jörg Peter and other members of cast and crew can confirm, I have been present!)
Later that evening we shot some scenes with Michael Worth and other actors / actresses using Rolf Eden´s Rolls Royce.
Great scenes I could not use editing so far.
The other day Lydie, Roswitha, Rolf Eden, Michael Worth, other actresses including Katja Bienert shot some scenes at a doctor´s place, a friend of Roswitha´s. Early in the morning Roswitha spoke on my answering machine, I should come and bring the props to the location, but unfortunately I am not allowed to enter as she told me there are only few people allowed there due to health care reasons. I refused to drive to the location if they would not let me in and DP Jörg Peter came to my place to pick the props up. They shot the hospital scenes there, without me.
Next day they shot at Rolf Eden´s place, Lydie, Roswitha and Michael Worth. Katja was there shortly and Jörg later called me Lydie and Roswitha had invited reporters to the place while I was not present and told them they are shooting here an US movie for an US "women´s channel".
I met Lydie, Michael Worth and cast and crew later that day. We shot in the evening the scenes in the P.I.´office. Lydie had called me several times to make sure I will bring the revolver to the location. I had earlier met with Lydie in a restaurant to show her some real looking revolver which could shoot blankets and a plastic pistol. Lydie wanted the revolver. Later she claimed I had threatened to kill her with the revolver in the restaurant. Again, I have been present during shooting. Remember: Roswitha´s lawyer claims I had not been present. I got us this location too.
Then we shot some very intense and creepy scenes on location in Hans-Jürgen`s apartment where we already had shot the German episode "Die Hexe" with Katja and Mona Glass playing the roles now played by Lydie and Roswitha. Lydie added a beautiful scene with herself in bed and lots of candles. I was only present early in the morning bringing some props to the set and went before Lydie arrived on the set.
All the scenes I mentioned here are on tapes which "vanished" after shooting. Lydie as a director is responsible for those tapes and I want these tapes returned to me so I can start editing. That´s what this fight is about.
I also have some scenes shot by Andreas with Roswitha on Bali but so far I did not use them as without the other missing scenes they are out of context and make no sense beautiful as they are.
There are some strange discussions in the internet by some of Lydie´s fans, some of them wondering if Lydie is in danger. Some offering her help and some offering her good advise especially not to ruin her reputiation and this bad karma things...
The only danger for Lydie is Lydie herself. As far as I am concerned I only want my tapes back to edit my movie. I owe this to myself, to Vonny and Jörg who also have money in the picture, to the whole cast and crew who did work in and for A Bouquet for a Kill and even to Roswitha who loved to play the part but then decided to follwo Lydie in her running amok attitude and who both are about to destroy our work from months.
Movies are made to be watched and Roswitha and Lydie both claimed in interviews how much they loved to work in this project. Then Lydie ruined almost everything with her silly take-over attempt. WE COULD HAVE DONE A HOLLYWOOD VERSION !!! It was not me who ruined this. It was Lydie. But nothing is lost as long as she has not destroyed the tapes. All she has to do is to return the tapes. I will not break my contract. I´ll fight her as long as I live if she does not return the tapes. But I also love and adore her as an actress. We shot a good movie and I want to edit it and release it the way Lydie and I have promised this to each other.
Lydie claims I would stalk her and that I want to kill her. That´s nonsense. I never threated to kill her. And I did not want our fight go public. It was Lydie´s decision to go public. It was Lydie´s decision to lie to Santa Monica court and to the press. I only had to fight back, I have no other choice. I will always fight fair, Lyide does not. To claim your producer is an insane stalker who wants to kill you is not what I consider a fair fight.
As far as I am concerned I never wanted to fight Lydie. I always wanted to fight with Lydie for a good movie. The only danger for Lydie IS Lydie. In telling all those lies she did ruin her reputation, not mine.
There is one fan of hers who wrote her he will love her EVEN if it´s true that she is a bad person. I know Lydie since many years I understand why he writes this. Lydie Denier IS magic. She has an uncanny power over other people. I´ve seen her manipulating an actress I know since many years and whom I considered my friend but after some weeks with Lydie she would do everything for Lydie including backstabbing me and making her lawyer writing things about me that were not true.
But I totally agree with what one of her fans writes. These things backfire. I am not Lydie´s enemy and I do not plan to do her harm. And Lydie does know that very well.
I asked her again and again just to tell the truth and return my tapes and stay with the contract she has with me.
That´s all.
Ahoi,
Michael Huck
Of what I have I edited the 30 minute version now, but there are many, many scenes, some of the best, Lydie did not return to me cheating me, cheating the cast and crew and cheating also her fans who did not see her in a new movie or big part for quiete some years.
Among the scenes we shot but I could not use so far are:
the scenes we shot with Lydie, Michael Worth (her former Acapulco H.E.A.T. co-star, and two German actresses) in the CASA Italiana, a nice Italian restaurant in Berlin where we also shot some scenes for The Moonlight Orchids recently. I did get us this loaction and the owners can confirm that I was on location during shooting. (German actress Roswitha Schreiner´s lawyer claims I had not been present during shooting long version). DP Jörg Peter and other members of cast and crew can confirm, I have been present!)
Later that evening we shot some scenes with Michael Worth and other actors / actresses using Rolf Eden´s Rolls Royce.
Great scenes I could not use editing so far.
The other day Lydie, Roswitha, Rolf Eden, Michael Worth, other actresses including Katja Bienert shot some scenes at a doctor´s place, a friend of Roswitha´s. Early in the morning Roswitha spoke on my answering machine, I should come and bring the props to the location, but unfortunately I am not allowed to enter as she told me there are only few people allowed there due to health care reasons. I refused to drive to the location if they would not let me in and DP Jörg Peter came to my place to pick the props up. They shot the hospital scenes there, without me.
Next day they shot at Rolf Eden´s place, Lydie, Roswitha and Michael Worth. Katja was there shortly and Jörg later called me Lydie and Roswitha had invited reporters to the place while I was not present and told them they are shooting here an US movie for an US "women´s channel".
I met Lydie, Michael Worth and cast and crew later that day. We shot in the evening the scenes in the P.I.´office. Lydie had called me several times to make sure I will bring the revolver to the location. I had earlier met with Lydie in a restaurant to show her some real looking revolver which could shoot blankets and a plastic pistol. Lydie wanted the revolver. Later she claimed I had threatened to kill her with the revolver in the restaurant. Again, I have been present during shooting. Remember: Roswitha´s lawyer claims I had not been present. I got us this location too.
Then we shot some very intense and creepy scenes on location in Hans-Jürgen`s apartment where we already had shot the German episode "Die Hexe" with Katja and Mona Glass playing the roles now played by Lydie and Roswitha. Lydie added a beautiful scene with herself in bed and lots of candles. I was only present early in the morning bringing some props to the set and went before Lydie arrived on the set.
All the scenes I mentioned here are on tapes which "vanished" after shooting. Lydie as a director is responsible for those tapes and I want these tapes returned to me so I can start editing. That´s what this fight is about.
I also have some scenes shot by Andreas with Roswitha on Bali but so far I did not use them as without the other missing scenes they are out of context and make no sense beautiful as they are.
There are some strange discussions in the internet by some of Lydie´s fans, some of them wondering if Lydie is in danger. Some offering her help and some offering her good advise especially not to ruin her reputiation and this bad karma things...
The only danger for Lydie is Lydie herself. As far as I am concerned I only want my tapes back to edit my movie. I owe this to myself, to Vonny and Jörg who also have money in the picture, to the whole cast and crew who did work in and for A Bouquet for a Kill and even to Roswitha who loved to play the part but then decided to follwo Lydie in her running amok attitude and who both are about to destroy our work from months.
Movies are made to be watched and Roswitha and Lydie both claimed in interviews how much they loved to work in this project. Then Lydie ruined almost everything with her silly take-over attempt. WE COULD HAVE DONE A HOLLYWOOD VERSION !!! It was not me who ruined this. It was Lydie. But nothing is lost as long as she has not destroyed the tapes. All she has to do is to return the tapes. I will not break my contract. I´ll fight her as long as I live if she does not return the tapes. But I also love and adore her as an actress. We shot a good movie and I want to edit it and release it the way Lydie and I have promised this to each other.
Lydie claims I would stalk her and that I want to kill her. That´s nonsense. I never threated to kill her. And I did not want our fight go public. It was Lydie´s decision to go public. It was Lydie´s decision to lie to Santa Monica court and to the press. I only had to fight back, I have no other choice. I will always fight fair, Lyide does not. To claim your producer is an insane stalker who wants to kill you is not what I consider a fair fight.
As far as I am concerned I never wanted to fight Lydie. I always wanted to fight with Lydie for a good movie. The only danger for Lydie IS Lydie. In telling all those lies she did ruin her reputation, not mine.
There is one fan of hers who wrote her he will love her EVEN if it´s true that she is a bad person. I know Lydie since many years I understand why he writes this. Lydie Denier IS magic. She has an uncanny power over other people. I´ve seen her manipulating an actress I know since many years and whom I considered my friend but after some weeks with Lydie she would do everything for Lydie including backstabbing me and making her lawyer writing things about me that were not true.
But I totally agree with what one of her fans writes. These things backfire. I am not Lydie´s enemy and I do not plan to do her harm. And Lydie does know that very well.
I asked her again and again just to tell the truth and return my tapes and stay with the contract she has with me.
That´s all.
Ahoi,
Michael Huck
Monday, March 22, 2010
A Letter to the Governor
Sunday, February 28, 2010
The Paintings - AGAIN !
Lydie´s Paintings - again - again - and again !
In 2007 while shooting A BOUQUET FOR A KILL Lydie left some of her paintings with me. (see on her facebook site, she is also an artist). After our fight over Bouquet I asked her in spring 2007 to pick up or let pick up her paintings. After she did not answer my mails for months I asked my lawyer to take care of the paintings- problem and we started to charge her for storage. Much later a certain Herr K. contacted my lawyer claiming he had bought the paintings from Lydie and taking a lawyer who wrote us he will sue us if we do not give the paintings to his client.
I asked them to show me a contract and required Lydie has to inform me officially she really wants me to give the paintings to Herrn K. Lydie never contacted me neither wrote a letter nor called. Instead the lawyer of Herrn K. mailed us a "document" written in German and signed with L. Denier. The signature looked not the same like on the contract I have with Lydie and Lydie does not speak German as far as I know. We refused to give the paintings to Herrn K. and then the lawyer informed us, Herr K. now has re-sold the paintings to Lydie and the lawyer NOW represents Lydie and wants us to give him the paintings.
We asked him again and again to show us a written confirmation from Lydie in a language Lydie understands with her signature that looks like the one on my contract with Lydie.
Please remember: Lydie gave the paintings to me. It´s her paintings ! And I have to run after her to ask her to take the paintings back! Since 2007 she NEVER called or wrote to me about the paintings.
Instead the mysertious lawyer who claims he represents Ms Denier now mailed us a new letter: A German (!!!) language confirmation which says Lydie has asked him to represent her, signed with L. Denier. The signature STILL looks different from the ones I have from Lydie. The date says 1. August, no YEAR ! And written in a language Lydie does NOT speak ! or understand !!!
Besides this , the letter of the lawyer now says again this case is about Herrn K. vs
Huck ? What now ? Did Lydie re-sell the re-sold paintings to Herrn K. ?????
What kind of game is this?
I do not know what to think of all this. Besides this Lydie forces me to spent money in the US to defend myself against her lies, she told Santa Monica Court I am a stalker who stalks her since 2003 and that I threatened to kill her. I cannot wait to see her to explain to Santa Monica Court why she did give her paintings in 2007 to someone she claims does stalk her since 2003 !
Sincerely Yours,
Michael Huck
In 2007 while shooting A BOUQUET FOR A KILL Lydie left some of her paintings with me. (see on her facebook site, she is also an artist). After our fight over Bouquet I asked her in spring 2007 to pick up or let pick up her paintings. After she did not answer my mails for months I asked my lawyer to take care of the paintings- problem and we started to charge her for storage. Much later a certain Herr K. contacted my lawyer claiming he had bought the paintings from Lydie and taking a lawyer who wrote us he will sue us if we do not give the paintings to his client.
I asked them to show me a contract and required Lydie has to inform me officially she really wants me to give the paintings to Herrn K. Lydie never contacted me neither wrote a letter nor called. Instead the lawyer of Herrn K. mailed us a "document" written in German and signed with L. Denier. The signature looked not the same like on the contract I have with Lydie and Lydie does not speak German as far as I know. We refused to give the paintings to Herrn K. and then the lawyer informed us, Herr K. now has re-sold the paintings to Lydie and the lawyer NOW represents Lydie and wants us to give him the paintings.
We asked him again and again to show us a written confirmation from Lydie in a language Lydie understands with her signature that looks like the one on my contract with Lydie.
Please remember: Lydie gave the paintings to me. It´s her paintings ! And I have to run after her to ask her to take the paintings back! Since 2007 she NEVER called or wrote to me about the paintings.
Instead the mysertious lawyer who claims he represents Ms Denier now mailed us a new letter: A German (!!!) language confirmation which says Lydie has asked him to represent her, signed with L. Denier. The signature STILL looks different from the ones I have from Lydie. The date says 1. August, no YEAR ! And written in a language Lydie does NOT speak ! or understand !!!
Besides this , the letter of the lawyer now says again this case is about Herrn K. vs
Huck ? What now ? Did Lydie re-sell the re-sold paintings to Herrn K. ?????
What kind of game is this?
I do not know what to think of all this. Besides this Lydie forces me to spent money in the US to defend myself against her lies, she told Santa Monica Court I am a stalker who stalks her since 2003 and that I threatened to kill her. I cannot wait to see her to explain to Santa Monica Court why she did give her paintings in 2007 to someone she claims does stalk her since 2003 !
Sincerely Yours,
Michael Huck
Monday, January 25, 2010
The Book
The Book about A Bouquet for a Kill
o.k. let´s see what we have: a producer from Germany is shooting with Lydie Denier, Hollywood actress who did star and guest star in Acapulco H.E.A.T. , Tarzan, Melrose Place, Two Men and a Half and a wellknown German actress. While shooting Denier wants to push out Producer Michael Huck to take over the picure to Hollywood Mega Producer Avi Lerner. When Lydie´s take-over attempt fails she takes some tapes with original footage with her and Huck sends German police after her. Now Denier runs completely amok, goes to Santa Monica Court and says Huck is not a producer but a crazy fan, madly in love with her and has threatened to kill her!!!
I think this would make a lovely book and maybe one day a big Hollywood producer like Avi Lerner will buy this book to make a movie, a crazy comedy about crazy people. Nice idea, isn´t it? That´s what I think too, so the next couple of months I will write a book about what happened , right from the start.
This book will also give you some ideas how low budget filmmaking works, so I think it is really interesting, the book will also show show how difficult it sometimes will be to deal with actresses who are running amok and it will show how to finance and produce low budget thrillers.
What this book makes totally different from other books on filmmaking is of course the stalker chapter. It does not happen too often that a director / actress accuses her producer to be a stalker with all the legal problems attached, so this is also a very interesting issue and filmmakers can see how fast you can get involved in legal trouble.
I will publish some of the book´s chapters here on this blog.
Sincerely Yours,
Michael Huck
Photo above: Copyright 2007 by Jörg Peter.
This photo shows Lydie Denier with German super playboy Rolf Eden.
Jörg took the photo while shooting the long version. Rolf Eden is a good friend of my partner Katja Bienert and he allowed us to use one of his Rolls Royce automobiles and his home to shoot some scenes. I was not present that day at Rolf´s home but later that day met Lydie, Michael Worth and other cast and crew members at the Hedler Studios in Tempelhof where we shot the PI office scenes with Michael Worth. Jörg called me that day to tell me to have a look at a Newspaper. Lydie and Roswitha had given an interview to reporters while I was not present and told them A Bouquet for a Kill is an US production. They did not mention my name and later I read in another interview thay had given they told A Bouquet for a Kill is shot for an US "women´s channel".
Sunday, January 24, 2010
Lydie´s Paintings 2
Lydie´s Paintings
You can see photos of some of Denier´s paintings on her facebook site. I like especially the one with the frog, it´s really cute. Some of those paintings she had left with me when we shot A Bouquet for a Kill.
How do you explain this, Lydie?
As I already mentioned, I do not want the paintings. They belong to Lydie. She did create the paintings and I always wanted the paintings to be returned to her.
It was Lydie´s decision to NOT pick them up or let them pick up for almost three years now. We had to rise the amount for storing the paintings now, maybe she will let pick them up now. The longer she waits the more it will cost. I had to ask a lawyer to take care of this problem and Lydie created the problem. And maybe she stops now to try to come up with new fairy tales.
What did she achieve? She did not finish our movie. So far I lost much money because of Lydie´s behavior. She did dissapoint crew and actors we worked with us when she did not finish her job as a director. Instead of dealing honest with the problems she herself had created she created more problems involving more and more lawyers and involving Santa Monica Court telling them I am a stalker and not her producer.
She did break US law in doing so. She did lie to US authorities. Trying to outsmart me she gets herself more and more in trouble.
Why does she do all this nonsense? It´s so easy to just tell the truth:
We shot a movie together. I am not a stalker. I am the producer of A BOUQUET FOR A KILL - the producer who paid the movie, Lydie´s flights, hotel stay...
It´s the truth. What is so difficult she cannot admit the truth? What´s her problem with the truth? What´s her problem with just being honest?
I am not Lydie´s enemy, I never was and I still do not consider her as an enemy. She told Santa Monica court, I love her and that I want to be together with her (in the romantic sense). This is not true. She told Santa Monica Court I threatened to kill her and that I hate her. This is also not true. I consider Lydie a wonderful actress but I will fight her as long as I live as long as she will not return my video tapes.
I do not hate Lydie, I fight her because it is my job as a producer to finish my movie and I need the tapes she took with her to edit the movie. The crew and actors who worked with Lydie and me can expect me to fight for our movie.
I never did involve Lydie´s paintings in this fight. I wrote her right in may 2007 she can pick up her paintings, the paintings are hers and I do not consider them part of our fight. So why didn´t she just call me and let some of her German "friends" pick up the paintings?
And why does she not return my tapes? I offered her we both can edit our own versions. I will edit my producer´s cut and I will give her a HDD with all scenes so she can edit a direcor´s cut, the way she wants to do it - and then we release both versions. Lydie and Roswitha told the press how great this movie is. So what is her problem? Does she really still think she can push me out and make believe people A Bouquet for a Kill is NOT Unhappy End! but a Lydie Denier movie? I think almost everyone from here to China knows now that A Bouquet for a Kill is a remake of Du sollst nicht Ehebrechen - Unhappy End!
So why not stop this stupid fight and do what I always suggested: She gives me the footage of may shooting and I give her a HDD with the scenes from february and april shooting and we just do what we promised when we signed the contracts and when Lydie came to Berlin to shoot with me A Bouquet for a Kill ?
Sincerely Yours,
Michael Huck
Photo: Copyright 2007 by Jörg Peter. Another photo of Lydie taken during shooting A Bouquet for a Kill in 2007 in Berlin, Germany.
Saturday, January 23, 2010
The Painting Wars
The Paintings of Lydie Denier
And here is another nice story about Lydie and how she succeeds in creating problems where no problems have been before.
Lydie Denier is not only an actress, she is also an artist and she is painting. When we shot in Berlin she gave me some of her paintings she hoped she could sell in Germany. This was when we shot the short version. After the trouble in may, the paintings were still with me and I wrote her and her German friends, asking them to pick up Lydie´s paintings. No answer. I emailed to Lydie and I asked my lawyer to write a letter to Lydie´s agent in Paris. The letter came back. We wrote Lydie if she will not pick up or let pick up her paintings we will charge her 40 € a month to store the paintings. So for half a year I did not charge anything inspite of what Lydie did when she tried to steal my movie. I informed German police I have the paintings and I declared I do not want the paintings, and I wrote to Lydie inspite of the fact she took my video tapes, she can pick up her paintings whenever she wants because in my eyes that´s a different story. Lydie did not answer my mails and did not care about her own paintings. She did not contact neither me nor my lawyer.
Some time later, my lawyer got a letter from a Berlin lawyer who wrote that his client Sacha K. did meet in Cannes with Lydie Denier and she did sell him the paintings she once gave to me. And the lawyer asked us to give the paintings to his client. I wondered why a stranger should buy paintings from Lydie he never had seen. No art collector would buy paintings, he never had seen, would he?
Furthermore the lawyer presented us a handwritten letter, saying it is from Lydie Denier, and the letter said, Lydie had sold the paintings to Herrn K. giving him the address of my lawyer and writing the paintings are "held hostage" by a certain Michael Huck. I wondered what kind of art collector would buy PAINTINGS HE HAD NEVER SEEN BEFORE , ESPECIALLY WHEN HE IS TOLD THE PAINTINGS ARE HELD HOSTAGE BY SOMEONE ELSE !!! This made absouletly no sense to me and we asked the lawyer of Herrn K. to show us the contract with Ms Denier and I asked that Lydie calls and writes me to confirm she really wanted me to give her paintings to Herrn K. I also asked Herr K. had first to pay for storing the paintings.
I did some research and found out that Herr K. is a friend of Lydie´s German actress-friend.
Our Lawyers exchanged several letters and as usual it went nowhere. Then Herrn K.´s lawyer informed us that HERR K. DID RE-SELL !!!!! the paintings to Ms Denier and the laywer now wrote he is representing now Ms Denier and she wants the paintings back now. I informed him we gladly will return the paintings, after we know it is really Denier we are dealing with and AFTER SHE HAS PAID FOR THE STORING OF THE PAINTINGS.
In the meantime Lydie started to tell US courts and media the stalker story. She did not explain of course WHY SHE GAVE HER PAINTINGS TO SOMEONE WHO ACCORDING TO HER HAD STALKED HER SINCE YEARS AND THREATEND TO KILL HER !!!
It´s so sick. Lydie just cannot do something without getting herself and everyone else in trouble. Why didn´t she just let pick up the paintings up when we asked her to do so?
I hereby declare: I NEVER wanted the paintings. I want Lydie to pick up or let pick up her paintings. I never did held this paintings "hostage". I do not do things like that. Lydie did take my videotapes of my movie. That´s her "style". Not mine. I don`t steal other peoples paintings. She can have the paintings whenever she wants as soon as she confirms it is really she behind this lawyer and as soon as the money for storing is paid.
Sincerely Yours,
Michael Huck
Photo above: Copyright 2007 by Jörg Peter. This photo of Lydie had been taken as PR for A Bouquet for a Kill. We have lots of photos from this PR shooting. Jörg is also the DP of A Bouquet for a Kill.
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